Ascension

Ascension
“They look like you.”

My father says it like I’ve ascended, but it feels
abrasive.

From far away, the hipster’s coffee shop
looks like a gaping black hole
swallowing everything that was
like someone or something took a bite of that space
that space in the sidewalk
a mouth I won’t go into.

But others do. Some of ours do.

The mouth spits up. Something new. 
Offers organic after yanking the organic
that’d grown there before yanked it by the roots.
Bricks from before I existed. Before my mother existed. It existed.

An imitation.
It sits like a shiny gold tooth wedged between
venerable Italianate row houses.
Or like a rotted tooth, perhaps.
Which one of us is decay?
Our pain painted in black matte.

A puncture wound from a fang.

Black, white, gray, and glass.
They wash away colors
until it’s something cadaverous
death
achromatic
or something that blends into the night
something that hides
a shadow in the dark
is afraid.

At least the barred windows with our flags, the graffiti that said “Jesus Saves” or “Say nope to dope!,” the mouldering, crowded stoops where we ate a dollar’s worth of candy, which back then, was a whole paper bag, the rusted fence that we tied our jump ropes to — 
they were honest.

“You know what you walkin’ into. What you see is what lies here.”
Brooklyn laid itself bare.

The coffee shop is the darkest thing around
even darker than us
	pardon
darker than everyone else.

irony
the drums the congas the heartbeat 
I barely hear it anymore.

“They look like you,” my father says, “You must feel right at home now.”

He says it as if we no longer share home. Share here.
Aren’t we walking side by side?
Reminds me of the story he’s always told me.
Grandpa’s first time meeting me as a baby.
White baby, rubia, blanquita, green eyes.
Grandpa raised me up with both hands raised me high
like a blessing
like a cure.

“Finally,” he told my father, “You’ve done something right.”
Aside from the earlobes, I don’t look like my dad.
More like my mother, but even she, I had surpassed.
Evolution.

I have ascended.

But if my skin — my casing — is ascension,
what of my soul?

Their skin might mirror mine,
but you raised me, daddy.
Color 
— in my soul.

A maw in disguise 
no matter how good their coffee
won’t make me happy.
In fact, I have never felt
farther from home.

Written today, July 14th, 2022.

The coffee shop pictured is not the one that inspired this poem. Please don’t be mean to the coffee shop. I’m sure their coffee is delicious… if you’re a coffee person. I’m a tea gal. Anyway, did a quick google search, couldn’t find the exact shop or one that looked like it, gave up. But just for the sake of a visual, I picked something.

Dekalb Avenue

Dekalb Avenue

Dekalb is titi’s house.
Grover Cleveland’s tracks lead to 
Dr. Mederos on St. Nicholas,
Chinese on Wyckoff by the B38,
Corner of Irving, a brick building — beige. 

Crosses jutting out all over.
My whole childhood, shuttered.
Sophi’s hair salon after.
Tony’s Pizza on the corner of Knickerbocker.

The cuchifrito, Cecilia’s, where titi always gets the mangú.
Next to the newsstand where uncle Louie gets the gum that tastes like soap.

This is titi’s block.

Across from the place you can rent for parties.
Three creaky metal studded flights up 
that are shorter than the length of your feet
so you always feel like you’re falling even when you’re climbing.

Her bell never works. Gotta scream.
From out her metal barred window, she drops the keys.
Dekalb is the turrón titi ate with me.
The clothesline outside her window, wooden clothespins pinched between her lips.
The Reggaeton, the Salsa, the Merengue, the Bachata,
at all hours of the morning, never letting poor titi sleep.

The only survivor now is the pizzeria, and the tracks.
The rest you can only visit in memories, photos, or Google Maps.
Yo.
They even gentrified the piraqua stands.

Leave my ice alone.
Dekalb Avenue. Not “Deh-kolb.” The L train says it wrong.
Dee-Kalb. It’s titi’s house. It’s childhood. It’s home.

Feeling nostalgic. May polish it for “sound” later. Love you, titi! Muchiiisimo!

Mama’s Favorite Flavor is Grape

Mama’s Favorite Flavor is Grape
Mama’s favorite beans when cooking are black beans.
Jade Seneca, the Chinese place a block up, and around the corner,
she orders chicken and broccoli. When someone’s sick, we order 
chicken and rice soup. Sometimes she makes Lipton 
with a packet of Sazon and sofrito, a cube or two.

Breakfast on the go is a cherry danish from the coffee stall in the city.
Hot chocolate all winter long. 
In New York, the winters are long.
If you stop by here when it’s winter, guess what you’re getting?
Quiere chocolaté? We’ve got plenty.

At the Japanese place downtown, by Chambers, I think?
She orders lemon chicken. Never sushi.
She doesn’t like mochi ice cream, so she lets me take it.
She doesn’t drink. Only a pina colada. It has to be virgin.

While we’re shopping on Myrtle, to cool off on a hot summer day,
there’s a piraqua stand on the same block as Payless. 
Her piraqua is either grape or cherry flavored.
When we’re buying candy for the theater or at home, her favorites 
are Mary Janes, Peanut Chews, and Snow Caps. Random days my dad will come back 
from the bodega with Sno Balls to surprise her.

She hates olives. She uses her fork to take them off her plate, and drop them onto my father’s.
At the dollar store, she grabs a pack of jelly rings, chocolate covered cherries,
and when it’s Easter, it’s Peeps, and chocolate covered marshmallow eggs.

Whenever I visit, and I’m homesick, she makes fricassee de pollo for lunch.
At the all you can eat Chinese buffet, my mother likes crab legs.
Ice cream from the Mr. Softie truck, always vanilla.

Grape juice, cranberry juice, apple juice — always juice in the fridge. And iced tea.
My mother bought the frozen kind, concentrate. 
Where she mixed it with water and stirred it in a pitcher.

She doesn’t like spicy. She buys Franciso Rinaldi
pasta sauce. Meat flavored. So she doesn’t get heart burn.
Always Tums in the house. Heart burn is something she always has.

She expects nothing less than Whitman’s chocolate for Valentines Day.
If we’re making a trip to the bodega for munchies, honey BBQ chips it is.
Come church events, she’s bringing potato salad.
Sunflower seeds on the train, we spit our shells in the plastic bag.
She’d always tell me, when your father and I were dating, 
he took me to Outback’s.

Burgers and steaks, always well done.
Applebees for birthdays.
McDonalds: Big Mac, Burger King: Whopper, Wendy’s: 
Either a taco salad, chicken sandwich or baked potato with cheese and broccoli.
I know all her favorites, and all her orders like the back of my hand,
even though I don’t remember what I ate for dinner yesterday.

I’d do anything to cook for her. She doesn’t have to cook for me.
I’d do anything to eat with her again. 
I’d do anything to treat her again. 
To meet her for lunch during my work break.

I’d do anything anything anything
	everything
to just share that last piece of cake 
we baked together from the box
always white cake mix
always vanilla frosting or cool whip on the top.
But I can’t, because it’s four years later,
and my mama’s still gone.

And I still use present tense because these things I know about her
still are.
Just like she still is.
In my memory, in my dreams,
even if not physically. 
Here
with me. 
She’s in my heart.

I hear Jade Seneca closed. It was our go to Chinese restaurant ever since I was a kid. The place was probably as old as, if not older, than me. I think the pandemic must’ve hit it hard. Was sad to hear it’s gone now.

A Halloween Memory

A Halloween Memory

All Saint’s Eve, daddy took little miss piggy

to the Cypress and Harman bakery,

where they gave her cookies and pennies,

and her pumpkin was brimming,

until mommy stripped wrappers

off tootsies and suckers by evening.

Inspect for catheters, needles and blades.

Don’t get too gleeful,

mommy checks for evil and lethal –

all to keep her piggy’s kisser safe.

 

– Rachel R. Vasquez, Oct. 2017

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It’s not Halloween anymore, but better late than never. Didn’t originally title this – but it is what it is. 🙂 Once upon a time, my mother would check every single piece of candy I received on Halloween just to make sure it was safe before I could eat any.

Please. Don’t come home to die.

Please. Don’t come home to die.

Please. Don’t come home to die.

My primo, listen, I’ll tell you why.

 

Imagine the gut wrenching screams your parents will have,

When they have to ID your body from a body bag,

Found in an alley, needle in hand,

No will, no testament, to the life you lead.

 

You wanna choose hood over blood,

But tell me little cousin,

Who will choose your coffin?

The wood of your casket,

Your flower arrangements?

 

You tryin’ to quiet the racket in your mind with poison,

But who will choose your last suit and tie?

 

Please. Don’t come home to die.

 

Don’t drown, don’t wither,

Don’t go, stay steady.

Don’t go preppin’ your obituary.

I left church years ago,

but I’m praying you find sanctuary,

For your weary heart and broken past.

 

Remember the albuterol mask on your face as you slept,

The comics my father gave, that you never read,

The brands on your back that your mother earned,

You were my chubby cheese club before you drank burn.

 

Death only stops kindly for those who don’t stop for death.

Don’t go rushing to be laid to rest.

Your parents paid school and paid rent.

Both made mistakes, not gonna lie, not gonna pretend.

 

Neither can claim they always did you right,

But they’ll both weep loudest once you’ve left for the sky.

 

So please, don’t come home to die.

 

You can hang your mantle,

You can share your burdens,

But don’t let them dismantle the life you’ve built.

 

Don’t matter the clique you roll with

Or the titles.

Don’t let the tides hold you in it’s grip.

 

I won’t say it’s easy,

But I want you to try.

It ain’t simple but please.

Don’t come home if you’re trying to die.

Come home. To live your life.

 

– Rachel R. Vasquez, Oct. 2017

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Be wary of the streets – they can take your family…

Little Cousin

Little Cousin

My little cousin’s got the Brooklyn.

The kind from the underside of pinched Corona caps,

stoops littered with sunflower seeds,

and Beenie Man grating from a recorded cassette.

 

I have other cousins who were cured.

Left cemetery meetings amongst Kings and color initiated school holidays.

My aunt grew tired of sleeping away from the windows and cured her children the only way she knew how –

Pennsylvania.

 

My little cousin though, he’s got it bad –

the Brooklyn.

The kind where no Jansport or Jordans were safe.

The kind where kids were offered Remy Red from paper bags out of cars blasting “infiltrate”.

We didn’t mean for him to get it, but it was like he was destined.

 

Lured by Wyckoff summer nights.

Enticed by windshields of Puerto Rican flags and “Rollin’ with the Clique” down Onderdonk.

He must’ve been seduced by starry names we wore on necks, fingers and belt buckles like voiceless shouts.

 

Maybe he caught it from someone else?

Foxy, Chino, or was it Willie?

Was his name Willie?

Willie who wore foundation two tints too light,

lookin’ like an unslept, unbrushed Tego Calderon,

who strutted up the block to talk about love and dick before I’d seen either?

 

Was it all the unready mothers raised by unready mothers,

then trying to raise sons like sacrificial lambs?

Like offerings to “outside”?

 

Was it that my little cousin heard?

Heard women talk about “the club” the same way some country folk must talk about “the city”?

“Better than being out here in the sticks. Why ain’t we at the club?” as if there was only the one?

 

Did my cousin see?

How shadowed men jittered in doorways across the street from the abandoned warehouse on Willoughby?

I remember his ear to ear grin as he told me he saw

me kiss the pothead I pined for from Stockholm,

the one with a topless fairy tattooed under his forearm.

 

I think he’d already showed symptoms of having it then,

but we had hoped he’d outgrow it.

Doesn’t really matter now

that he’s a grown man.

 

They say he’s got the Brooklyn terminal.

Here we are now, years too late,

trying to save him.

It’s up to the blood in his veins now.

If he’s not careful,

 

Brooklyn will kill him.

 

And we’ll continue after,

asking ourselves for the rest of our lives,

how we could’ve prevented it.

 

– Rachel R. Vasquez,  August 2017

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Got family on my mind. Also wondering if I can find a WordPress theme that respects a writer’s line breaks, indents and spaces…

Pirates

White men tryna kill my mother –

my mamasita.

Not with guns,

not with knives,

but with paper.

 

It’s like they comin’ for us.

 

They know I’ve wet my toes in middle class waters,

coming from a pair of sneakers a year,

hand me downs, and a brown box from the church,

full of plain white boxes and cans –

labeled simply “pasta” or “beans”.

 

They know I’ve been waist deep in it now.

That I like to return inland,

return home,

to share the treasures I’ve earned.

 

They’ve found us out, mama!

They’ve seen our last names!

They call me a spy because I look like I belong there.

 

They comin’ to murder us with paper!

To murder all the landlubbers who will never know of the untold riches

lying beneath the depths of the sea!

As if being driven out of Bushwick wasn’t enough,

they want to take her plastic,

her Capecitabine, her Lapatinib,

her paper.

 

They comin’ inland, mama –

to force us all to walk the plank

and blame the sharks.

Tell daddy to grab the pitchfork!

Save all our paper and plastic,

before they set it on fire!

 

– Rachel R. Vasquez,  July 2017

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I’ve got a lot of rage from keeping up with the news as of late – Republicans literally willing to murder just to undo what their predecessor put in place. Disgusting. The poem’s self explanatory.

 

Bushwick Baby

Bushwick Baby

Bushwick baby

used to “Como ‘ta linda?”,

used to “yo ma” me,

when I was peligrosa

and a saggin’ slim used to wink “What’s poppin’?”

on Stockholm and Wyckoff.

 

Keys rained with box stitches and Chinese staircase lanyards

from second stories,

where stoops were sold out from Bedford to Halsey.

Before 358 Grove was whitewashed next to White Castle.

 

When I was rubia in the bodegas.

Willoughby used to “ey yo” me with a bottle of Bacardi while going limb by limb.

They rocked door knockers on Knickerbocker

and doors were knockin’ with “Dios te bendiga” damas

who called me nena and asked me to pray for knocked up primas.

 

Solo para mi gente would dale don dale down Wilson

when banderas marched on the wind.

Back when Jazzy Jazz and S&M had a quarter zoo.

Greene was in loving memory with a Woody Cartoon.

Do you remember?

Before it caught Alzheimers and forgot it’s roots,

Bushwick used to hoot and holla.

Now Bushwick has forgotten all my monickers,

made me a stranger,

when it used to call me familia.

 

– Rachel R. Vasquez,  May 2017

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I actually wrote this one 2 months ago and was struggling with how to close the poem. Finally managed to wrap it up and found the motivation to update my poetry blog.

If you grew up in Bushwick in the 90’s/2000’s, then some of this may be familiar. When I think of my childhood, I think of all the Spanish speaking residents in the neighborhood, and the sounds of the language, the music. I think of summer bringing everyone outside to the streets, on the stoops, playing dominos, buying from the pidaqua stands and dancing. Sure, there were some dangerous sides to the neighborhood as well, but the culture was really something before gentrification swept in. I’ll never forget it…

Mourning for Bushwick

Mourning for Bushwick

I mourn for the ghetto.

A White Castle next to

an incongruous condo.

 

I weep for rickety fences and rusted gates.

When the L train was yellow and grey.

Before they raised the rents.

Off the M, when there was salsa at Borinquen.

 

Oh, way back when

we occupied steps,

claimed a corner, taken a block.

Skies with pendulous banderas

over the May rising flocks.

 

Dominican bodegas.

They called me rubia,

before baristas and yoga gyms

landed on Troutman.

 

Before history got wiped.

They call it gentrification.

I call it genocide.

 

An invasion, a regression, an infection

of organic produce.

It once was wild, and brimming with pride.

Oh, Bushwick, I miss you.

 

The hermanos, the primos, the chachos, the homegirls.

Knickerbocker has gone silent.

It’s the worst deaf I’ve ever been.

The worse death ever experienced.

Where my people at?

 

Oh, it burns so bad – it hurts.

When my home feels like an alternate universe.

I feel like a refugee, a survivor, a remnant.

Eventually an artifact.

 

Slabs of fresh paint while tackling lower crime rates.

I’m grieving for this place, for milk crates and domino games.

I sob for the mom and pop shops.

This place has changed too much and too fast.

 

Something’s breaking in my heart,

A phantasmagoria

of bubble tea spots, vintage store fronts and health food stores.

Now until forever, for Bushwick, I’ll mourn.

 

– Rachel R. Vasquez, 4/30/2015

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Been wrestling with these feelings and this poem for the last week or so. The neighborhood where I grew up has changed so much while I’ve been away – it feels strange. It doesn’t feel like home anymore. It feels like I’ve been gone too long, and now it’s too late. It feels like I took for granted something I’ll never have again. Sad part of growing up I guess.

 

Place of Sighs

Click clack on cement past the flip flap stand, down over by the heavy beats and la’s of the boom box.

The screech on the road pulls the leash on my neck, and I wonder how tires hiss.

Boppin’ and chewin’ my pop stick by the slick man who licks his lips as he mmm’s at swish and swivels.

Little girls hop and skip on chalk grids in the chain parks ‘cause big kids boycott swings.

As they squeak and rust, I plug in ear wires with a shrug to provide my mind with breathing support.

Calligraphy bricks line up by yellow cliffs where you can see the rats race.

Thunder rolls in trenches, sparks snap rails,

noses lost in the gray-scale paper. The lifeless paper.

With frost in a cup, hunger tugs my sleeve.

So I flip flop upon freshly drenched summer to where you can scream with ching in your fingers.

I tinker with the slurp bubbles, between jingling metal and my grease pod –

over the stoop dwellers,

sometimes guarding carnival bodegas.

Kangaroo pouched fellas shaking up copper dust on the bottom of one dollar coffee cups.

Finally through the turn and shove into the clock’s hug where I bend and shift up the light switch that flickers over the table that mail has consumed.

My last move on this night’s end and day’s routine, is to snoozes where relief sings me soothing odes.

Tightly secure in my place of sighs, beside wailing windows.

This four-sided burrito roll. This place I call home.

– Rachel R. Vasquez, 2007, revised 3/12/2015

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Weather is getting nice around here. Hoping I can go to that place where I can scream with ching in my fingers soon – aka the chuchifrito place. One coquito and an accapuria please!