Ascension

Ascension
“They look like you.”

My father says it like I’ve ascended, but it feels
abrasive.

From far away, the hipster’s coffee shop
looks like a gaping black hole
swallowing everything that was
like someone or something took a bite of that space
that space in the sidewalk
a mouth I won’t go into.

But others do. Some of ours do.

The mouth spits up. Something new. 
Offers organic after yanking the organic
that’d grown there before yanked it by the roots.
Bricks from before I existed. Before my mother existed. It existed.

An imitation.
It sits like a shiny gold tooth wedged between
venerable Italianate row houses.
Or like a rotted tooth, perhaps.
Which one of us is decay?
Our pain painted in black matte.

A puncture wound from a fang.

Black, white, gray, and glass.
They wash away colors
until it’s something cadaverous
death
achromatic
or something that blends into the night
something that hides
a shadow in the dark
is afraid.

At least the barred windows with our flags, the graffiti that said “Jesus Saves” or “Say nope to dope!,” the mouldering, crowded stoops where we ate a dollar’s worth of candy, which back then, was a whole paper bag, the rusted fence that we tied our jump ropes to — 
they were honest.

“You know what you walkin’ into. What you see is what lies here.”
Brooklyn laid itself bare.

The coffee shop is the darkest thing around
even darker than us
	pardon
darker than everyone else.

irony
the drums the congas the heartbeat 
I barely hear it anymore.

“They look like you,” my father says, “You must feel right at home now.”

He says it as if we no longer share home. Share here.
Aren’t we walking side by side?
Reminds me of the story he’s always told me.
Grandpa’s first time meeting me as a baby.
White baby, rubia, blanquita, green eyes.
Grandpa raised me up with both hands raised me high
like a blessing
like a cure.

“Finally,” he told my father, “You’ve done something right.”
Aside from the earlobes, I don’t look like my dad.
More like my mother, but even she, I had surpassed.
Evolution.

I have ascended.

But if my skin — my casing — is ascension,
what of my soul?

Their skin might mirror mine,
but you raised me, daddy.
Color 
— in my soul.

A maw in disguise 
no matter how good their coffee
won’t make me happy.
In fact, I have never felt
farther from home.

Written today, July 14th, 2022.

The coffee shop pictured is not the one that inspired this poem. Please don’t be mean to the coffee shop. I’m sure their coffee is delicious… if you’re a coffee person. I’m a tea gal. Anyway, did a quick google search, couldn’t find the exact shop or one that looked like it, gave up. But just for the sake of a visual, I picked something.

Dekalb Avenue

Dekalb Avenue

Dekalb is titi’s house.
Grover Cleveland’s tracks lead to 
Dr. Mederos on St. Nicholas,
Chinese on Wyckoff by the B38,
Corner of Irving, a brick building — beige. 

Crosses jutting out all over.
My whole childhood, shuttered.
Sophi’s hair salon after.
Tony’s Pizza on the corner of Knickerbocker.

The cuchifrito, Cecilia’s, where titi always gets the mangú.
Next to the newsstand where uncle Louie gets the gum that tastes like soap.

This is titi’s block.

Across from the place you can rent for parties.
Three creaky metal studded flights up 
that are shorter than the length of your feet
so you always feel like you’re falling even when you’re climbing.

Her bell never works. Gotta scream.
From out her metal barred window, she drops the keys.
Dekalb is the turrón titi ate with me.
The clothesline outside her window, wooden clothespins pinched between her lips.
The Reggaeton, the Salsa, the Merengue, the Bachata,
at all hours of the morning, never letting poor titi sleep.

The only survivor now is the pizzeria, and the tracks.
The rest you can only visit in memories, photos, or Google Maps.
Yo.
They even gentrified the piraqua stands.

Leave my ice alone.
Dekalb Avenue. Not “Deh-kolb.” The L train says it wrong.
Dee-Kalb. It’s titi’s house. It’s childhood. It’s home.

Feeling nostalgic. May polish it for “sound” later. Love you, titi! Muchiiisimo!

#VSS365 February 2019

Bushwick Baby

Bushwick Baby

Bushwick baby

used to “Como ‘ta linda?”,

used to “yo ma” me,

when I was peligrosa

and a saggin’ slim used to wink “What’s poppin’?”

on Stockholm and Wyckoff.

 

Keys rained with box stitches and Chinese staircase lanyards

from second stories,

where stoops were sold out from Bedford to Halsey.

Before 358 Grove was whitewashed next to White Castle.

 

When I was rubia in the bodegas.

Willoughby used to “ey yo” me with a bottle of Bacardi while going limb by limb.

They rocked door knockers on Knickerbocker

and doors were knockin’ with “Dios te bendiga” damas

who called me nena and asked me to pray for knocked up primas.

 

Solo para mi gente would dale don dale down Wilson

when banderas marched on the wind.

Back when Jazzy Jazz and S&M had a quarter zoo.

Greene was in loving memory with a Woody Cartoon.

Do you remember?

Before it caught Alzheimers and forgot it’s roots,

Bushwick used to hoot and holla.

Now Bushwick has forgotten all my monickers,

made me a stranger,

when it used to call me familia.

 

– Rachel R. Vasquez,  May 2017

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I actually wrote this one 2 months ago and was struggling with how to close the poem. Finally managed to wrap it up and found the motivation to update my poetry blog.

If you grew up in Bushwick in the 90’s/2000’s, then some of this may be familiar. When I think of my childhood, I think of all the Spanish speaking residents in the neighborhood, and the sounds of the language, the music. I think of summer bringing everyone outside to the streets, on the stoops, playing dominos, buying from the pidaqua stands and dancing. Sure, there were some dangerous sides to the neighborhood as well, but the culture was really something before gentrification swept in. I’ll never forget it…

Mourning for Bushwick

Mourning for Bushwick

I mourn for the ghetto.

A White Castle next to

an incongruous condo.

 

I weep for rickety fences and rusted gates.

When the L train was yellow and grey.

Before they raised the rents.

Off the M, when there was salsa at Borinquen.

 

Oh, way back when

we occupied steps,

claimed a corner, taken a block.

Skies with pendulous banderas

over the May rising flocks.

 

Dominican bodegas.

They called me rubia,

before baristas and yoga gyms

landed on Troutman.

 

Before history got wiped.

They call it gentrification.

I call it genocide.

 

An invasion, a regression, an infection

of organic produce.

It once was wild, and brimming with pride.

Oh, Bushwick, I miss you.

 

The hermanos, the primos, the chachos, the homegirls.

Knickerbocker has gone silent.

It’s the worst deaf I’ve ever been.

The worse death ever experienced.

Where my people at?

 

Oh, it burns so bad – it hurts.

When my home feels like an alternate universe.

I feel like a refugee, a survivor, a remnant.

Eventually an artifact.

 

Slabs of fresh paint while tackling lower crime rates.

I’m grieving for this place, for milk crates and domino games.

I sob for the mom and pop shops.

This place has changed too much and too fast.

 

Something’s breaking in my heart,

A phantasmagoria

of bubble tea spots, vintage store fronts and health food stores.

Now until forever, for Bushwick, I’ll mourn.

 

– Rachel R. Vasquez, 4/30/2015

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Been wrestling with these feelings and this poem for the last week or so. The neighborhood where I grew up has changed so much while I’ve been away – it feels strange. It doesn’t feel like home anymore. It feels like I’ve been gone too long, and now it’s too late. It feels like I took for granted something I’ll never have again. Sad part of growing up I guess.