Ascension

Ascension
“They look like you.”

My father says it like I’ve ascended, but it feels
abrasive.

From far away, the hipster’s coffee shop
looks like a gaping black hole
swallowing everything that was
like someone or something took a bite of that space
that space in the sidewalk
a mouth I won’t go into.

But others do. Some of ours do.

The mouth spits up. Something new. 
Offers organic after yanking the organic
that’d grown there before yanked it by the roots.
Bricks from before I existed. Before my mother existed. It existed.

An imitation.
It sits like a shiny gold tooth wedged between
venerable Italianate row houses.
Or like a rotted tooth, perhaps.
Which one of us is decay?
Our pain painted in black matte.

A puncture wound from a fang.

Black, white, gray, and glass.
They wash away colors
until it’s something cadaverous
death
achromatic
or something that blends into the night
something that hides
a shadow in the dark
is afraid.

At least the barred windows with our flags, the graffiti that said “Jesus Saves” or “Say nope to dope!,” the mouldering, crowded stoops where we ate a dollar’s worth of candy, which back then, was a whole paper bag, the rusted fence that we tied our jump ropes to — 
they were honest.

“You know what you walkin’ into. What you see is what lies here.”
Brooklyn laid itself bare.

The coffee shop is the darkest thing around
even darker than us
	pardon
darker than everyone else.

irony
the drums the congas the heartbeat 
I barely hear it anymore.

“They look like you,” my father says, “You must feel right at home now.”

He says it as if we no longer share home. Share here.
Aren’t we walking side by side?
Reminds me of the story he’s always told me.
Grandpa’s first time meeting me as a baby.
White baby, rubia, blanquita, green eyes.
Grandpa raised me up with both hands raised me high
like a blessing
like a cure.

“Finally,” he told my father, “You’ve done something right.”
Aside from the earlobes, I don’t look like my dad.
More like my mother, but even she, I had surpassed.
Evolution.

I have ascended.

But if my skin — my casing — is ascension,
what of my soul?

Their skin might mirror mine,
but you raised me, daddy.
Color 
— in my soul.

A maw in disguise 
no matter how good their coffee
won’t make me happy.
In fact, I have never felt
farther from home.

Written today, July 14th, 2022.

The coffee shop pictured is not the one that inspired this poem. Please don’t be mean to the coffee shop. I’m sure their coffee is delicious… if you’re a coffee person. I’m a tea gal. Anyway, did a quick google search, couldn’t find the exact shop or one that looked like it, gave up. But just for the sake of a visual, I picked something.

Dekalb Avenue

Dekalb Avenue

Dekalb is titi’s house.
Grover Cleveland’s tracks lead to 
Dr. Mederos on St. Nicholas,
Chinese on Wyckoff by the B38,
Corner of Irving, a brick building — beige. 

Crosses jutting out all over.
My whole childhood, shuttered.
Sophi’s hair salon after.
Tony’s Pizza on the corner of Knickerbocker.

The cuchifrito, Cecilia’s, where titi always gets the mangú.
Next to the newsstand where uncle Louie gets the gum that tastes like soap.

This is titi’s block.

Across from the place you can rent for parties.
Three creaky metal studded flights up 
that are shorter than the length of your feet
so you always feel like you’re falling even when you’re climbing.

Her bell never works. Gotta scream.
From out her metal barred window, she drops the keys.
Dekalb is the turrón titi ate with me.
The clothesline outside her window, wooden clothespins pinched between her lips.
The Reggaeton, the Salsa, the Merengue, the Bachata,
at all hours of the morning, never letting poor titi sleep.

The only survivor now is the pizzeria, and the tracks.
The rest you can only visit in memories, photos, or Google Maps.
Yo.
They even gentrified the piraqua stands.

Leave my ice alone.
Dekalb Avenue. Not “Deh-kolb.” The L train says it wrong.
Dee-Kalb. It’s titi’s house. It’s childhood. It’s home.

Feeling nostalgic. May polish it for “sound” later. Love you, titi! Muchiiisimo!

Covid-19 in NY

Covid-19 in NY

Photo from “13 photos of New York City looking deserted as the city tries to limit the spread of the coronavirus

Trigger Warning: This poem is about how Covid-19 is affecting our current way of life. There are some graphic images described in this piece. Please proceed with caution if you choose to read this poem. Be safe and healthy everyone.

Covid-19 in NY

New York was the city that never slept —

until February 2020.

Two hundred thousand ill, three thousand dead.

Only the children are safe from drowning.

 

No showtime on Broadway, nor on the trains.

Rockefeller! Fifth Avenue! Times Square!

All shuttered. Abandoned. Still — like a wake.

The planes are grounded. Poison in the air.

 

More unemployed since the Great Recession.

The future unclear. The future unsure.

How long until they start welding our doors?

Disinfect and bleach the trains! Bleach the floors!

 

In China, the infected dragged away,

captured with the same nets they use for strays.

All day long, we sing Happy Birthday.

Italy keeps their residents at bay

 

with flamethrowers while they sing from the windows.

All we see are eyes. Windows to the soul.

 

Shelves are empty, and the price gougers fat.

Our mothers are sewing surgical masks.

 

There aren’t enough vents, nor are there beds.

Our grandparents, dying alone in their beds.

CPR denied to cardiac arrests.

 

Central Park, Jacob Javits, Navy ships —

temporary hospitals for the sick.

Bodies are being cradled by fork lifts

instead of loving hands, loving arms.

 

We’ve gone through March.

We’re going through April.

Social distancing has banned funerals.

 

We pray the summer burns away the plague.

The number of cases swell with the days.

 

– Rachel R. Vasquez, March/April 2020

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Never have I wished to be farther from New York than now. I’ve lived here all of my life. 9/11 happened when I was in high school. This? I’ve never experienced anything like it in my lifetime. Some days I’m not sure how to cope, some days I’m inside trying to pretend this is just a really long staycation. The only thing I can do is take it day by day, and write. Hoping everyone stays safe out there.

Madison & 43rd

Madison & 43rd

Madison and 43rd at one,

I’ve left a window’s flock of owls

to peer at my empty desk.

 

Bowls of bloody plumes and wood whites

lead me past two gargoyles

with brooch bellies and toothless grins,

boasting of equitable trust

in spite of their u’s carved as v’s.

 

I’m lured under acorn lamps hanging from grape stems,

perhaps to feed the steel brachiosaurus’ with

pendants in their mouths.

 

They appear to be asleep at this time of day

or wary

of Mercury, Hercules and Minerva

loitering above the tourists.

 

Nirosta eagles,

terraced crown guards,

perch above both,

but I’ve safely made it past.

 

In spite of the hard cuffed men who

dodge the bearded man on the floor,

with frayed jeans, a baseball cap, and converses –

hobo or hipster?

– Rachel R. Vasquez, September 2017

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A poem I wrote during lunch break when I worked near Grand Central and the Chrysler building. Frank O’Hara has always been an inspiration of mine. I have his “Lunch Poems” book.

Broadway Junction

Broadway Junction

Going to Broadway Junction used to be like the beginning of a fantasy novel.

“Only the very brave or the very foolish
dare venture
to the Junction.”

“Our kind are not welcome
by folks who dwell in the depths of Brooklyn.”

“Few of us journey there and ever return!”

“Take care on your travels and be wary of monsters.”

Red and blue warbled the walls where my cousins slept
away from the windows.

I remember the relief my family had whenever I returned.
My limb inventory was successful and yet,
each time I came home, I was a little more jaded
than the last.

Like a war journalist who managed to survive the trenches
and lived to tell the tale.

– Rachel R. Vasquez,  July 2017

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Broadway Junction used to be a dangerous place, but then again, so did Bushwick. How the times have changed.

Mourning for Bushwick

Mourning for Bushwick

I mourn for the ghetto.

A White Castle next to

an incongruous condo.

 

I weep for rickety fences and rusted gates.

When the L train was yellow and grey.

Before they raised the rents.

Off the M, when there was salsa at Borinquen.

 

Oh, way back when

we occupied steps,

claimed a corner, taken a block.

Skies with pendulous banderas

over the May rising flocks.

 

Dominican bodegas.

They called me rubia,

before baristas and yoga gyms

landed on Troutman.

 

Before history got wiped.

They call it gentrification.

I call it genocide.

 

An invasion, a regression, an infection

of organic produce.

It once was wild, and brimming with pride.

Oh, Bushwick, I miss you.

 

The hermanos, the primos, the chachos, the homegirls.

Knickerbocker has gone silent.

It’s the worst deaf I’ve ever been.

The worse death ever experienced.

Where my people at?

 

Oh, it burns so bad – it hurts.

When my home feels like an alternate universe.

I feel like a refugee, a survivor, a remnant.

Eventually an artifact.

 

Slabs of fresh paint while tackling lower crime rates.

I’m grieving for this place, for milk crates and domino games.

I sob for the mom and pop shops.

This place has changed too much and too fast.

 

Something’s breaking in my heart,

A phantasmagoria

of bubble tea spots, vintage store fronts and health food stores.

Now until forever, for Bushwick, I’ll mourn.

 

– Rachel R. Vasquez, 4/30/2015

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Been wrestling with these feelings and this poem for the last week or so. The neighborhood where I grew up has changed so much while I’ve been away – it feels strange. It doesn’t feel like home anymore. It feels like I’ve been gone too long, and now it’s too late. It feels like I took for granted something I’ll never have again. Sad part of growing up I guess.

 

June

June

Sunhats shave ice blocks under umbrella stands
Strap backs pendulum their hips
Water runs through flip flops around gradient sprayed concrete
Ink snakes along bronze waists
Party horns honk on trollies
Whistles screech
Where the white T’s palm rubber to a wall
Speakers ride their shoulders
Husky chants: “Que bonita bandera”
And the malta men spinning black dotted blocks on turntables
Shake their beaded necks like maracas
The cowbell-
tap- tap –tap-
tap- tap-
The rope slaps with clapping girls
Singing past the mating calls
Hissing from glitter fenders at snappy fingers
The hoop ears with stoop scuffs on stringy rears
They only stop when the weasel pops on postered trucks
Fabric rises like war filled spears
The crowd’s amok
Between flickering lights and clashing beers

– Rachel R. Vasquez, 4/28/2008

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I wanted to wait until summer to put this up, but with the freezing temperatures and snow as of late – I guess I became summer sick.

This was inspired by what my neighborhood was like as we neared the Puerto Rican parade in the summer. Bushwick was full of pidaqua stands, salsa booming from the cars with giant flags draped across their trunks, street merchants selling all sorts knick knacks, kids playing hand ball in the parks, jump rope, ice cream trucks – man it was the place to be! If there’s one thing I miss since moving to the Bronx, it’s that Latin fever that happens once the summer rolls around, nothing beats that atmosphere. Nothing. Nada. I haven’t found a chuchifrito place around here yet that sells coquito, and that makes a girl a bit home sick…


Photo from Eric Espino @ https://ericespino.com/